by Shannon Smith
Faithless’s return with Champion Sound in September 2025 is a late-career victory lap, reaffirming what makes their architecture of groove so enduring. Since Reverence and the global eruption of “Insomnia,” Faithless have walked a line between rave’s euphoria, hip-hop’s grit, and pop’s accessibility. With Maxi Jazz’s voice now woven into memory after his passing in 2022, Rollo Armstrong and Sister Bliss have crafted an album that respects the band’s lineage while reaching forward into the club and headphone spaces of 2025. It’s at once a dance record with teeth and a studio sculpture designed for deep [...]
By Shannon Smith
From the opening drum roll, Castle Rat’s “Serpent” coils itself around the listener with the kind of vintage-metal authority that is hard to resist. Recorded under the steady hand of Randall Dunn and mixed by Jonathan Nuñez, the track bears all the marks of a band intent on situating itself within the heavy metal continuum while pushing its theatrical boundaries forward.
The Rat Queen (Riley Pinkerton) anchors the performance with a vocal delivery that channels the urgency of early NWOBHM and the gothic charisma of proto-doom. Her voice is commanding with a full-bodied timbre that is serrated at the edges. The vocals have [...]
by Shannon Smith
From the first song of Wildflower, Zandi Holup makes it clear she is here to bare her voice to tell stories in song. It’s a debut that feels like a set of songs that understands restraint is as powerful as release. Producer Ryan Hadlock frames her in warm sonic settings of Bear Creek Studios’ warm wood and Pacific Northwest stillness. The album’s mood leaving space for her to work her magic of instinct and craft. You hear her draw from the long tradition of country storytellers, a well of emotional honesty that makes vocal performances stay with you.
“All That’s Left Is Me” is the first seed in this garden, a medium-tempo [...]
by Shannon Smith
Reneé Rapp’s BITE ME is a sophomore album that realigns vocal charisma with production choices that finally match her natural intensity. Where 2023’s Snow Angel often paired Rapp’s voice with too much restraint, thin arrangements, and overly safe balladry, BITE ME brings her into a louder, rougher, and more stylized soundscape. This time, the production invites her to push, snarl, and smirk.
The album opens with “Leave Me Alone,” a genre-establishing track that frames the rest of the record: guitar-forward, percussive, and unafraid to let Rapp’s vocals sit hot in the mix. The fuzzed-out [...]
