by Shannon Smith
Ava Max’s single “Lovin Myself” is tailored to integrate into your pop listening patterns. From the very first breathy coo, Ava Max’s “Lovin Myself” draws you into a glittering affirmation of personal power with equal parts synth-pop strut and engaging vocal phrasing. It’s bold, beat-driven, and brimming with finesse and pop intelligence. Underneath the neon sheen lies a well-crafted pop song.
Max’s performance walks a thrilling tightrope between vocal muscle and vulnerability. Her technique shines its range and how she maneuvers between chest and head voice, with each [...]
by Shannon Smith
When Alex Warren stepped onto the Stagecoach Festival stage in April 2025 to debut his new single “Bloodline,” joined by genre-crossing phenom Jelly Roll, there was already a hum in the air. That hum has grown into a full-throated track with an emotionally charged pop song with elements of country hybrid that stares generational trauma in the face and dares to write a new ending.
“Bloodline” delivers an emotionally gripping blend of pop structure, country grit, and folk-pop lift. It’s a story song about generational pain and the defiant hope that says: you can stop the cycle [...]
by Shannon Smith
Mark Pritchard and Thom Yorke’s collaborative album, Tall Tales, arrives as a multi-layered sonic exploration, combining Yorke’s introspective lyricism and distinct vocal timbre with Pritchard’s electronic soundscapes. Known for their critical interrogations of modernity and technology, the pair navigate terrains through a unique auditory lens, merging unsettling textures and ambient beauty in equal measure.
From the outset, “A Fake in a Faker’s World” presents a sophisticated sound reminiscent of Radiohead, with the synthesizers building a claustrophobic atmosphere. [...]
by Shannon Smith
In naming their fifth studio release Lucius, the band (Jess Wolfe, Holly Laessig, Dan Molad, and Peter Lalish), invites us to listen and look inward, at them, and consequently, at ourselves. This self-titled album, released May 2, 2025, emerges like a handwritten letter sealed in wax, unfiltered and vulnerable, its sonic palette washed in sunlight and shadow. Recorded between Altamira Sound and Sounds Like a Fire in Los Angeles, it balances the intimacy of home recording with the glisten of professional touch, mirroring the album’s central theme: to be both raw and refined, honest and shaped.
Like striking a match in the dark, [...]
