Brad Mehldau : Ride Into the Sun Review
By Shannon Smith
Rebecca Black’s latest project, SALVATION, offers qualities that make it a compelling listen for pop music fans. Three things caught my ear: bold productions, relatable themes, and a successful artistic reinvention.
SALVATION is a feast for pop and dance-pop fans who thrive on genre-blending and adventurous production. While fundamentally a dance-pop record, it refuses to settle into a singular style. Instead, Black and her team draw on a wide range of influences, with each track having a distinct sonic identity.
She embraces club and rave elements fearlessly: “Sugar Water Cyanide” pulses with techno beats and [...]
by Shannon Smith
In the still hours of the early morning, when the world softens and streetlights shimmer like distant memories, Biig Piig’s debut 11:11 arrives as a conflicted confession and celebration. The album’s title, a nod to the mystical “angel number,” suggests that every moment, every stray heartbeat, is part of a larger, unscripted narrative. Here, Jess Smyth unfolds a story of restless nights and fleeting clarity.
The record opens with “4AM,” where her signature whisper‑sung vocals float over a beat that mimics the slow pulse of a city in transition. It’s as if she’s confessing in the [...]
By Steven Miller
Legendary post-rock pioneers Mogwai have returned with The Bad Fire, an engaging album that captures their enduring ability to blend the ethereal with the explosive. Produced by John Congleton and released via Rock Action, this January 2025 release cements the band’s reputation for crafting immersive soundscapes that challenge and reward the listener in equal measure.
With three decades of sonic exploration under their belt, Mogwai’s evolution has been anything but linear. They’ve veered from ferocious guitar-driven instrumentals to moody soundtracks and even ventured into corrupted electronic realms. Their [...]
by Steven Miller
Juan Megna’s Mariwô is a vibrant celebration of Afro-Brazilian and Argentinian musical traditions, artfully blended with the improvisational language of modern jazz. The album’s seven tracks form a setting of intricate rhythms, melodic depth, and exceptional interplay between musicians. Megna’s artistic vision and technical mastery of these rhythmic melodies have a strong grounding in the Afro-diasporic influences of Candomblé and the emotive power of Argentinian forms like the chacarera and milonga. Mariwô transcends genres while staying deeply rooted in its cultural origins; this is world music with modern [...]
by Steven Miller
Bella Schütz’s Chiaroscuro is a compelling new Evidence Classics label project focusing on two towering figures in keyboard music history: Johann Sebastian Bach and Frédéric Chopin. The repertoire spans Bach’s Baroque explorations of stylus phantasticus and contrapuntal elegance and Chopin’s Romantic innovations in lyricism and harmonic daring. While these composers are separated by nearly a century, Schütz highlights their shared artistic pursuit of freedom, fantasy, and improvisation, as seen in pieces like Bach’s Chromatic Fantasia and Fugue and Chopin’s Fantaisie in F Minor.
Bach’s Chromatic Fantasia and Fugue [...]
by Shannon Smith
In her debut album, Louder, Please, Rose Gray presents a vibrant homage to the world of club culture and dance-pop to create a space where nostalgia and modernity intertwine. Gray’s roots in East London nightlife, with its primal pulse of heavy dance drums, the deliverance of crowded dance floors—infuse her music with a sense of the raw energy swirling in the crowd of gyrations. Clocking in at a sleek 41 minutes, the album is an exploration of Europop, acid house, and nu-disco, drawing inspiration from icons like Kylie Minogue and Robyn while carving out Gray’s distinct voice in a crowded dance-pop [...]
