Westside Cowboy : It Goes On Review
by Shannon Smith
Reneé Rapp’s BITE ME is a sophomore album that realigns vocal charisma with production choices that finally match her natural intensity. Where 2023’s Snow Angel often paired Rapp’s voice with too much restraint, thin arrangements, and overly safe balladry, BITE ME brings her into a louder, rougher, and more stylized soundscape. This time, the production invites her to push, snarl, and smirk.
The album opens with “Leave Me Alone,” a genre-establishing track that frames the rest of the record: guitar-forward, percussive, and unafraid to let Rapp’s vocals sit hot in the mix. The fuzzed-out [...]
by Steven Miller
Catalyst: The Music of Gregg Hill is a striking testament to the adaptability of Hill’s compositions, illustrating how his works can be reinterpreted and transformed when placed in the hands of a visionary ensemble, resulting in a very enjoyable world music album. The album marks a departure from the straight-ahead jazz settings that Hill’s music has historically inhabited. Hill’s compositions have long been fixtures in jazz contexts. However, on Catalyst, the Dave Sharp Worlds Quartet, under the direction of bassist Dave Sharp and with arrangements from Elden Kelly, takes [...]
By Steven Miller
YUNGBLUD is the kind of artist who lives like a flame, too unruly to cage, too luminous to ignore. On Idols, YUNGBLUD lights the match and dares us to watch him burn. Part rock opera, part Britpop homage, and part raw nerve confession, this album flirts with chaos and invites listeners to scrawl its lyrics across the walls of their minds and scream into the night until the neighbors feel seen.
From its grandiose opener to its quieter farewells, Idols is a rallying cry for the misfits, a record drenched in yearning and reclamation. It’s loud, it’s theatrical, it’s flawed, and in a few moments, it’s [...]
By Steven Miller
In The River, pianist and composer Silvano Monasterios offers a suite of textured Latin jazz. His ensemble writing and musical storytelling are framed by the metaphor of a river. The seven-part work unfolds as a dialogue between the written and improvised contemporary Latin jazz language. It is a flowing, textural narrative brought to life by a Venezuelan Nonet of exceptional caliber. Rather than spotlighting one or two star voices, the album thrives on a collective approach where every instrumentalist adds to the music’s feeling and precision as it becomes musical poetry.
From its tranquil beginnings to its [...]
by Shannon Smith
Megan Moroney’s “6 Months Later” is a country glitter-dipped goodbye you’ll want on repeat. Leave it to Moroney to turn heartbreak into a hair-flipping power move. With “6 Months Later,” she closes the book on an old flame as she dog-ears the page, adds glitter, and turns the whole thing into a summer anthem for anyone who’s ever gotten that “you up?” text from the past. Spoiler: she is not.
Built on a sweet tangle of acoustic picking, strumming, fiddle flares, pedal steel moans, and a glint of synth sparkle, “6 Months Later” walks that delicious line between modern country radio and something you might blast [...]
by Shannon Smith
Ava Max’s single “Lovin Myself” is tailored to integrate into your pop listening patterns. From the very first breathy coo, Ava Max’s “Lovin Myself” draws you into a glittering affirmation of personal power with equal parts synth-pop strut and engaging vocal phrasing. It’s bold, beat-driven, and brimming with finesse and pop intelligence. Underneath the neon sheen lies a well-crafted pop song.
Max’s performance walks a thrilling tightrope between vocal muscle and vulnerability. Her technique shines its range and how she maneuvers between chest and head voice, with each [...]
