by Shannon Smith

Megan Moroney’s “6 Months Later” is a country glitter-dipped goodbye you’ll want on repeat. Leave it to Moroney to turn heartbreak into a hair-flipping power move. With “6 Months Later,” she closes the book on an old flame as she dog-ears the page, adds glitter, and turns the whole thing into a summer anthem for anyone who’s ever gotten that “you up?” text from the past. Spoiler: she is not.

Built on a sweet tangle of acoustic picking, strumming, fiddle flares, pedal steel moans, and a glint of synth sparkle, “6 Months Later” walks that delicious line between modern country radio and something you might blast [...]

by Shannon Smith

Ava Max’s single “Lovin Myself” is tailored to integrate into your pop listening patterns. From the very first breathy coo, Ava Max’s “Lovin Myself” draws you into a glittering affirmation of personal power with equal parts synth-pop strut and engaging vocal phrasing. It’s bold, beat-driven, and brimming with finesse and pop intelligence. Underneath the neon sheen lies a well-crafted pop song.

Max’s performance walks a thrilling tightrope between vocal muscle and vulnerability. Her technique shines its range and how she maneuvers between chest and head voice, with each [...]

by Steven Miller

Adding to his ever-expanding canon of contemporary jazz compositions, Gregg Hill’s work continues to captivate discerning musicians and listeners alike. Pianist Rick Roe’s latest offering, Tribute: The Music of Gregg Hill, released by Cold Plunge Records, underscores Hill’s distinctive compositional brilliance, interpreted through a compelling trio setting. Alongside bassist Robert Hurst and drummer Nate Winn, Roe approaches Hill’s repertoire with profound sensitivity, celebrating its inherent versatility and emotional understanding of styles.

Roe’s thoughtful arrangements [...]

By Steven Miller

After the raucous triumph of Death Wish Blues (2023), which earned her a Grammy nod and solidified her place among today’s blues-rock elite, Fish returns with an album filled with her gift for songwriting. Produced by Detroit garage-rock icon Bobby Harlow and released via Rounder Records, Paper Doll has layers of sonic framework to reveal Fish’s truest weapon: her voice. Yes, her guitar still snarls and struts. But it’s her vocal performance that is attention-grabbing in its elastic, expressive, and electric character that drives this record straight into the hearts of modern blues, Americana, and roots rock fans.

The [...]

by Shannon Smith

When Alex Warren stepped onto the Stagecoach Festival stage in April 2025 to debut his new single “Bloodline,” joined by genre-crossing phenom Jelly Roll, there was already a hum in the air. That hum has grown into a full-throated track with an emotionally charged pop song with elements of country hybrid that stares generational trauma in the face and dares to write a new ending.

“Bloodline” delivers an emotionally gripping blend of pop structure, country grit, and folk-pop lift. It’s a story song about generational pain and the defiant hope that says: you can stop the cycle [...]

By Steven Miller

In the genre-straddling landscape of instrumental post-metal, narrative form can often feel buried under atmospherics. But on Flickering Resonance, written and performed by guitarist Trevor Shelley de Brauw, guitarist Laurent Schroeder-Lebec, bassist Bryan Herweg, and drummer Larry Herweg, Pelican opts for something more deliberate: music built like architecture, with movement, pacing, and contrast engineered into each section.

Recorded by Sanford Parker, mixed by Scott Evans, and mastered by Matthew Barnhart, the album’s sonic clarity and dynamic control serve its compositional. This is not music that [...]