by Shannon Smith

In the still hours of the early morning, when the world softens and streetlights shimmer like distant memories, Biig Piig’s debut 11:11 arrives as a conflicted confession and celebration. The album’s title, a nod to the mystical “angel number,” suggests that every moment, every stray heartbeat, is part of a larger, unscripted narrative. Here, Jess Smyth unfolds a story of restless nights and fleeting clarity.

The record opens with “4AM,” where her signature whisper‑sung vocals float over a beat that mimics the slow pulse of a city in transition. It’s as if she’s confessing in the [...]