Deborah Silver and Steve Tyrell Review

by Shannon Smith

When two experienced vocalists like Steve Tyrell and Deborah Silver join forces, the result is something special. Their latest duet, a fresh take on the Frank Sinatra classic “That’s Life,” showcases their individual talents and gift at presenting songs that have become a staple of American music. Release on November 17, this rendition is poised to make waves with longtime jazz aficionados and a new generation of listeners who are discovering these standards for the first time.

From the very first notes, it’s clear that this is a thoughtful reimagining as the arrangement, lush with the sounds of a full big band, immediately transports the listener back to the golden age of jazz. However, there are modern touches—like the inclusion of Lisa Fischer’s soulful background vocals—that set this version apart. Fischer, known for her powerful performances in “Twenty Feet From Stardom,” adds a gospel-infused layer to the track, enhancing its emotional depth, giving it a contemporary edge, and expanding its appeal to today’s listeners.

Tyrell and Silver approach the song with an upbeat and playful vibe while also injecting their own unique styles. Tyrell’s voice, rich and resonant, carries a sense of worldly experience, a perfect match for the song’s themes of resilience and perseverance. He approaches the lyrics with a knowing nod, as if he has lived every word. Silver, on the other hand, brings a fresh perspective, her voice shimmering with a youthful energy that complements Tyrell’s seasoned delivery. Together, they create a dialogue within the song—a conversation between experience and optimism.

One of the standout moments in this rendition is the way Tyrell handles the song’s key line, “I’ve been a puppet, a pauper, a pirate, a poet, a pawn, and a king.” His delivery is playful and poignant, capturing the duality of the lyrics—the highs and lows of life, the triumphs and setbacks that define the human experience. Silver follows with a more grounded interpretation, her voice carrying the weight of the years, yet still infused with a sense of hope. Her embellishment and glissandos are outstanding.

The big band arrangement deserves special mention. It’s a study in how to update a classic while retaining its essential character. The brass section, in particular, shines, delivering punchy stabs that accentuate the lyrics, while the strings add a layer of sophistication without overwhelming the track. The rhythm section, with its laid-back shuffle, keeps everything anchored, allowing Tyrell and Silver’s vocals to take center stage. The key change is very moving, adding energy.

But what truly elevates this duet is the chemistry between Tyrell and Silver. Their voices blend seamlessly, creating a harmonious balance that few duets manage to achieve. There’s a give and take in their performance that feels entirely organic—never forced, always natural. This is particularly evident in the song’s climactic moments, where their voices intertwine in a way that is powerful and creative. It’s as if they are singing directly to each other, creating a sense of connection that draws the listener in and makes them feel a part of the performance.

In conclusion, Steve Tyrell and Deborah Silver’s duet of “That’s Life” is an impressive interpretation of a classic; it honors the original while making it relevant for today’s listeners. With its flawless arrangement, expert production, and, most importantly, the extraordinary performances of Tyrell and Silver, this track is destined to become a favorite in jazz and adult contemporary playlists alike. It’s a reminder that, no matter what life throws our way, we have the strength to keep going—and that’s the true essence of “That’s Life.”