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LONG PLAY Festival


LONG PLAY Festival

LONG PLAY is an explosion of mind-bending music of the moment.  


 Dozens of concerts throughout Brooklyn, New York


Festival Passes Available December 16 at

Brooklyn, NY — Bang on a Can announces the launch of LONG PLAY, a new, three-day destination music festival, presented for the first time from Friday, May 1 through Sunday, May 3, 2020. Featuring dozens of concerts, LONG PLAY also showcases a dense network of pioneering music venues in Brooklyn – with performances at the BAM Howard Gilman Opera House, Roulette, Public Records, ShapeShifter Lab, Littlefield, Brooklyn Music School, BAM Lepercq Space, outdoor events at The Plaza at 300 Ashland, and more. Festival passes and special early bird offers will be available starting on December 16, 2019, at


Bang on a Can’s Co-Founders and Artistic Directors Michael GordonDavid Lang, and Julia Wolfe say of the new festival:


“For over 30 years, Bang on a Can has dedicated itself to working the frontier – bringing together the most innovative voices in music and building new audiences for new work. Right now – this minute – is an amazing time to be a musician. Musicians from every corner of the music world are pushing beyond their boundaries, questioning their roots, searching and stretching for the new. There has never been a time when music contained so much innovation and diversity, so much audacity and so much courage. And we want to show you all of it. With the creation of LONG PLAY we are presenting more kinds of musicians, playing more kinds of music, bending more kinds of minds. LONG PLAY expands and enlarges our scope and our reach, and puts more new faces on stages than ever before. It’s a lot of music!”


Fueled by more than three decades of Marathon concerts, LOUD Weekend at MASS MoCA, countless world tours, and staged productions, Bang on a Can’s LONG PLAY is a supercharged ride through right now – for musicians and audiences alike.


LONG PLAY Highlights (additional artists and more details to be announced in January 2020): 

Steve Reich: All Live

Since the 1970s, Steve Reich has been making music in layers, with live instruments playing against pre-recorded versions of themselves. At LONG PLAY, two of his iconic pieces will be performed all live – no backing tracks, no safety net! The Bang on a Can All-Stars and friends play 2×5, for two rock bands, and the Dither Big Band plays Electric Counterpoint, for 14 electric guitars. Live.

Art Ensemble of Chicago

“Great Black Music – Ancient to the Future.” Come celebrate the 50th anniversary of the legendary avant-jazz collective. Roscoe Mitchell and Famoudou Don Moye are in their 70s now, and they are joined by a who’s who of younger experimental musicians, in a tribute to the band’s late co-founders Lester Bowie, Joseph Jarman, and Malachi Favors Maghostut.

Brian Eno: Music for Airports

Brian Eno invented ambient music with his revolutionary 1978 studio album Music for Airports. Made of tape loops and electronic sounds, Eno never intended it to be performed live, but in 1998 the Bang on a Can All-Stars premiered their own live version, and they have toured it around the globe ever since. This performance adds the live voices of The Choir of Trinity Wall Street.

Meredith Monk: Memory Game

Meredith Monk’s work crosses so many boundaries she has had to invent her own way of making it, her own way of teaching it, and her own way of training a generation of singers and performers in how to perform it with her. This concert doubles as the official release of her new recording, Memory Game, a collaboration with the Bang on a Can All-Stars.

Ashley Bathgate: Ash

Supercellist Ashley Bathgate asked the six composers of the Sleeping Giant collective to write her solo works while channeling the spirit of Bach. Music by Timo Andres, Christopher Cerrone, Jacob Cooper, Ted Hearne, Robert Honstein, and Andrew Norman.

Nik Bärtsch’s Ronin

Swiss beats! ECM artist Nik Bärtsch brings his band Ronin all the way from Switzerland for an evening of relaxed, loping, subtle grooves.

The Ken Thomson Sextet

Saxophonist / clarinetist / composer Ken Thomson is a livewire. He makes music that has a mind-blowingly ecstatic, hyperactive energy, and, somehow, he has managed to find five other equally intense musicians who can keep up with him.

Bearthoven plays Scott Wollschleger

Tense, quiet, introspective, smoldering. Brooklyn trio Bearthoven plays music from Scott Wollschleger’s riveting new album American Dream.

Horse Lords

Beats meet minimalism meets just intonation meets power chords in Baltimore’s band Horse Lords.

Jenny Lin plays Galina Ustvolskaya

The reclusive Soviet-era legend Galina Ustvolskaya wrote six mystical and granitic piano sonatas, spanning 43 years of her life. At LONG PLAY, piano virtuosa Jenny Lin will play them all in order.

John Luther Adams: Strange and Sacred Noise

John Luther Adams’ radical vision is to use music to describe how we live in the world, in particular how nature changes us, and how we change it, combining a rugged sense of the elemental with a real concern for the health of the earth. At LONG PLAY, his monumental cycle is performed by Left Edge Percussion and the Southern Oregon University Percussion Ensemble.

Arvo Pärt: Kanon Pokajanen

Estonian composer Arvo Pärt’s music has been described as “holy minimalism” – simple, direct, unornamented, spiritually focused. Kanon Pokajanen – the Canon of Repentance – is his magnum opus, and is performed here by Estonia’s Vox Clamantis choir, who won a Grammy Award for their last collaboration with Pärt.

Vox Clamantis – Estonian Voices

Estonia’s Grammy Award-winning Vox Clamantis choir sings new music by some of the Baltic’s leading composers, including the US premieres by Galina Grigorjeva, Evelin Seppar, and ECM artist Helena Tulve.

Gerard Grisey: Vortex Temporum

The late French composer Gerard Grisey pioneered a type of music that has become known as “spectralism” – paying rigorous attention to the natural intervals of music to create a lush, luxurious sound. Vortex Temporum – played here by Lithuania’s Synaesthesis Ensemble – is his masterpiece.

Synaesthesis: Another Point of View

Lithuania’s Synaesthesis Ensemble presents a hypnotic, environmental collaboration between composer Dominykas Digimas and video artist Kristijonas Dirse.

Tristan Perich

Tristan Perich is a composer, an inventor, a technologist, and a visual artist, and all of these parts of his persona come together in his music.

Zoë Keating

Cellist and composer Zoë Keating, with the use of computers and machines, constructs her compositions in front of us, in real-time, while we watch. Musical snippets become captured by the technology and added to each other, in layers, transforming simple, straightforward fragments of solo cello lines into giant, orchestral forms.

Michael Gordon: Timber

Michael Gordon is a master of the elemental, building massive structures out of simple materials. Timber, performed here by Mantra Percussion, is a tour de force of focus and power – six percussionists each play a regular wooden 2×4, gradually adding beat upon beat until they swirl into psychedelic clouds of sound.

Attacca Quartet plays Caroline Shaw

Composer, violinist, and singer Caroline Shaw is a kind of phenomenon. Fresh from her Pulitzer Prize and back from touring with Kanye, she has been welcomed into every musical community. At LONG PLAY, the Attacca Quartet performs highlights from Orange, their recent Grammy Award-nominated recording.

The Glenn Branca Ensemble

Glenn Branca spent his life finding the magic seam between intricate microtonal experimentation and really loud guitars. For years Branca’s band was the laboratory for young guitarists who sought to push the boundaries of what a band can be, and it is great the band is still going strong. This concert includes excerpts from Branca’s posthumously released masterpiece, The Third Ascension.

David Lang and Julia Wolfe

Composers Julia Wolfe and David Lang have been sharing their thoughts about music with each other for practically forever. Here they share a concert together with friends and special guest performers, including Shara Nova (aka My Brightest Diamond) singing Lang’s Schubert-inspired death speaks and pianists Vicky Chow and David Friend playing Wolfe’s Aretha Franklin tribute my lips from speaking.


Composer / performers Darian Donovan Thomas and Phong Tran are Mediaqueer – a duo dedicated to discovering where beats, glitches, dance music, and gender politics meet.

Kinds of Kings: Afterimage

Chicago’s ~Nois Saxophone Quartet squawks, honks and blasts its way through music by members of the international composer collective Kinds of Kings – Susanna Hancock, Maria Kaoutzani, Finola Merivale, Emma O’Halloran, Gemma Peacocke, and Shelley Washington.

Mary Halvorson and John Dieterich

Guitar Heaven! Brainy improviser (and MacArthur Award winner) Mary Halvorson and fearless indie-rocker (and member of Deerhoof) John Dieterich team up for an evening of wild, scratchy and oddly affecting melodies.

Ian Chang

Ian Chang is a drummer – or is he? Chang’s drums are also MIDI triggers, connected to samples and synths and even the stage lights – you never know which of his stick patterns will result in a simple drum beat and which will completely transform your environment.

Michael Pisaro: Ricefall

Rice falls, like a gentle rain, from the hands of the performers, onto a variety of objects and surfaces. Ricefall is part sonic environment, part visual installation, part intensely quiet and dramatic performance. Performed by the Southern Oregon University Percussion Ensemble.

Kendall Williams – Pan in Motion

Steel pans were originally made out of empty oil drums discarded around the Caribbean. Steel pan guru Kendall Williams has assembled a massive orchestra of different sized pans, and his hypnotically unpredictable and rhythmically ecstatic tunes push this traditional instrument into the future.

Matt Welch

“The Eddie Van Halen of the Bagpipes” writes Pop Matters. Matt Welch has dedicated his life to expanding the repertoire for bagpipes and this concert will include his own works plus solo bagpipe music by pioneering composer Anthony Braxton.

Gabriella Smith

Young phenom composer and outdoorswoman Gabriella Smith joins cellist Gabriel Cabezas in a concert of her music, in her first portrait concert in New York.

Asphalt Orchestra

Asphalt Orchestra is Bang on a Can’s own radical street band that brings ambitious processional music to the mobile masses. Playing music by the Pixies, Thomas Mapfumo, Charles Mingus, Frank Zappa and more.

Brooklyn Youth Chorus

Under the direction of their founder Dianne Berkun Menaker the Brooklyn Youth Chorus has become one of the most inspiring, ambitious, and polished ensembles in the city. Singing music by Angélica Negrón, Gity Razaz, Alev Lenz, Toshi Reagon, Paola Prestini, and Nathalie Joachim.

Tomeka Reid Quartet

Powerhouse jazz cellist Tomeka Reid is joined by guitarist Mary Halvorson, drummer Tomas Fujiwara, and bassist Jason Roebke, for a concert of improvisation, long flowing melodies, and catchy impossible grooves.


This electronic band started in Puerto Rico but is now based in Brooklyn, mixing hypnotic tropical tunes and dembow beats and glitches and dreampop into their own style of music they call “dreambow.”

National Sawdust Ensemble – Hildegard Competition Winners

Brooklyn’s National Sawdust just started a competition for young trans, female, and non-binary composers. Their ensemble, led by former Kronos Quartet cellist Jeffrey Zeigler, plays music by the winners – Bergrún Snæbjörnsdóttir, Niloufar Nourbakhsh , inti figgis-vizeuta , Emma O’Halloran, X. Lee , and Kayla Cashetta.

Robert Ashley – Matmos performs “The Backyard” from Perfect Lives

In 1984 the experimental composer Robert Ashley’s masterpiece Perfect Lives premiered as a seven-part television opera. Ashley’s approach to opera was revolutionary – ordinary people whose everyday language hints at the eternal, “sung” in a kind of incantatory murmur, over elemental chords and structures.


Baltimore’s conceptual electronica artists make beats out of an astonishing array of source materials – cutting hair, the amplified nerve fibers of crustaceans, smashing old LPs. It is a strange kind of alchemy that Matmos can transform all these different and sometimes terrifying sources into cheerful techno beats.

Éliane Radigue: L’ile re-sonante

Music by revolutionary French synth goddess Éliane Radigue, including her epic electronic masterpiece L’ile re-sonante in a rare and almost live performance, featuring composer-trumpet player Nate Wooley and sonic projections by composer-guitarist Michael Pisaro.

Kris Davis and Craig Taborn

Improvising pianists Kris Davis and Craig Taborn have been playing together for many years now and it shows – their connection in performance is uncanny. Each is an accomplished soloist and composer in her or his own right, but together they fuse into something larger than themselves – free, intense, relentless, volcanic.


I-VT is composer Adam Cuthbert’s four piece techno electronic ensemble – 2 laptops, 2 drumkits with projections all over the place.

Meara O’Reilly: Hockets for Two Voices

Meara O’Reilly is a pattern maker. She starts with simple musical materials and then applies rigorous patterns to them, which makes them continually change their timing and their order and their context. The result is mesmerizing – it is the creation of a pure and audible logic.

Reg Bloor

Uncompromising, intense, overwhelmingly idiosyncratic composer / guitarist Reg Bloor plays music from her recent album “Sensory Irriation Chamber”

Laraaji: Ambient 3 – Day of Radiance

Laraaji’s meditative music has been hypnotizing people all around the world, ever since he was “discovered” and championed by Brian Eno in 1980. With his zither, his voice, small percussion and electronics he brings the bliss with deep, gentle trance-inducing ambient waves. Day of Radiance was the third installment of Eno’s Ambient series.

Found Sound Nation

Found Sound Nation (FSN), Bang on a Can’s social engagement wing, presents a vibrant bill of artists from across cultural divides, combining art music, hip hop, audio journalism, and contemporary composition.

Todd Reynolds, Frode Andersen, Ejnar Kanding

Violinist and composer Todd Reynolds is a virtuoso – not just of the violin but of a host of electronic gear that he uses to expand the horizon of what a violinist can be. Because of this, Todd has become the violinist of choice for a generation of composers. He will play his own music plus world premieres by Danish composers Frode Andersen and Ejnar Kanding.

Shara Nova aka My Brightest Diamond

Shara Nova, lead singer and songwriter of My Brightest Diamond spins a DJ set of dark minimalistic techno featuring the sounds of Detroit and Berlin nestled amidst My Brightest Diamond remixes.

Suzanne Bocanegra: Rerememberer

Brooklyn-based performance artist Suzanne Bocanegra uses the weaving instructions for a scrap of antique Danish cloth as the score for an elaborate and deeply sonic installation, including an amplified weaver, an accordion, a DJ, and 50 “violinists” who have never played violin before.

Additional details and artists to be announced in January 2020.

About Bang on a Can: Bang on a Can is dedicated to making music new. Since its first Marathon concert in 1987, Bang on a Can has been creating an international community dedicated to innovative music, wherever it is found. With adventurous programs, it commissions new composers, performs, presents, and records new work, develops new audiences, and educates the musicians of the future. Bang on a Can is building a world in which powerful new musical ideas flow freely across all genres and borders. Bang on a Can plays “a central role in fostering a new kind of audience that doesn’t concern itself with boundaries. If music is made with originality and integrity, these listeners will come.” (The New York Times)

Bang on a Can has grown from a one-day New York-based Marathon concert (on Mother’s Day in 1987 in a SoHo art gallery) to a multi-faceted performing arts organization with a broad range of year-round international activities. “When we started Bang on a Can, we never imagined that our 12-hour marathon festival of mostly unknown music would morph into a giant international organization dedicated to the support of experimental music, wherever we would find it,” write Bang on a Can Co-Founders Michael Gordon, David Lang and Julia Wolfe. “But it has, and we are so gratified to be still hard at work, all these years later. The reason is really clear to us – we started this organization because we believed that making new music is a utopian act – that people needed to hear this music and they needed to hear it presented in the most persuasive way, with the best players, with the best programs, for the best listeners, in the best context. Our commitment to changing the environment for this music has kept us busy and growing, and we are not done yet.”

In addition to its festivals LOUD Weekend at MASS MoCA and LONG PLAY, current projects include The People’s Commissioning Fund, a membership program to commission emerging composers; the Bang on a Can All-Stars, who tour to major festivals and concert venues around the world every year; recording projects; the Bang on a Can Summer Music Festival at MASS MoCA, a professional development program for young composers and performers led by today’s pioneers of experimental music; Asphalt Orchestra, Bang on a Can’s extreme street band that offers mobile performances re-contextualizing unusual music; Found Sound Nation, a new technology-based musical outreach program now partnering with the State Department of the United States of America to create OneBeat, a revolutionary, post-political residency program that uses music to bridge the gulf between young American musicians and young musicians from developing countries; cross-disciplinary collaborations and projects with DJs, visual artists, choreographers, filmmakers and more. Each new program has evolved to answer specific challenges faced by today’s musicians, composers and audiences, in order to make innovative music widely accessible and wildly received. Bang on a Can’s inventive and aggressive approach to programming and presentation has created a large and vibrant international audience made up of people of all ages who are rediscovering the value of contemporary music. For more information about Bang on a Can, please visit

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